The original painting that is reproduced on these baby onesies depicts the execution of missionaries trained by the Société des Missions Etrangères de Paris, an institution that continues to educate aspiring evangelicals and enlist them in missions abroad.

Fiberglass serving tray (Cottage White) with silkscreen printing (dishwasher safe).

This volume covers six years, from 2005 - 2010, in which Baldessari created a total of 361 unique works-comprising eight discrete series, most with multiple parts or, to borrow a musical phrase, "movements."

Published on the occasion of his exhibition, Ce qu'il y a de plus profond dans l'homme, c'est la peau, at Galerie Marian Goodman, Paris. The external appearance was created to resemble the iconic shape of some of his paintings. The edition's cover is in Spalletti's signature sky blue and contrasted by black pages made of tissue paper. The title is printed in gold leaf.

After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Coriñas, Danh Vo, Felix Gonzalez-Torres, and Tseng Kwong Chi, and with additional appearances by Nao Bustamente, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy.

Published on the occasion of an exhibition at Galerie Marian Goodman in Paris in 2018. This exhibition pays tribute to one of the most radical figures of the second half of 20th century art.

Making reference to the volatile period of civil unrest in France during May 1968 which began with a series of student occupation protests against capitalism, consumerism, American imperialism and traditional institutions.