• Gerhard Richter: 2005

    Gerhard Richter

    2005

    Published on the occasion of Richter's 7th exhibition at Marian Goodman Gallery, New York in the winter of 2005. The exhibition included works made between 2001 and 2005, including two important cycles of new paintings, as well as individual paintings, and a series of large-format drawings rare in scale and the first of their kind since the appearance of the 1999 catalogue raisonné of the drawings, Gerhard Richter: Drawings 1964-1999.
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  • Freeing the Line

    Freeing the Line

    This publication accompanied the show of the same name exhibited at Marian Goodman Gallery in 2006 and curated by Catherine de Zegher. The exhibition considered the departure of the line from the paper surface and its venture into space, and juxtaposed drawings made without paper (as Gego titled them) and instead with wire and thread by artists in the late sixties and early seventies with contemporary drawings.
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  • Gerhard Richter: Images of an Era

    Gerhard Richter

    Images of an Era

    This volume presents and describes 50 of the artist’s works with essays by leading Richter experts. It also includes personal testimonials in previously unpublished letters as well as a conversation between Gerhard Richter and Richter expert Uwe Schneede.
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  • Thomas Struth: Portraits

    Thomas Struth

    Portraits

    This 1990 exhibition at Marian Goodman Gallery, New York marked Thomas Struth's entrée into group portraiture.
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  • Marcel Broodthaers: Musée D'art Moderne, Departement Des Aigles, Section Publicite

    Marcel Broodthaers

    Musée D'art Moderne, Departement Des Aigles, Section Publicite

    A part of the fictive museum Broodthaers created and promoted from 1968 to 1972, Section Publicité uses the figure of the eagle that transcends time and cultures, exploring its place, not in the history of art, but in the history of publicity.
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  • Giulio Paolini

    Giulio Paolini

    Published on the occasion of Giulio Paolini’s exhibition at Marian Goodman Gallery, New York. In the booklet's essay, Craig Owens underlines the artist’s play on the gaze—a key component of any relevant self-portrait—that is erased or obstructed by the artist’s expert mise en scène.
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  • Richard Deacon

    Richard Deacon

    Richard Deacon’s sculpture reveals a highly complex vocabulary. Describing himself as a “fabricator” Deacon works with a variety of materials including with metals, plastics, wood amongst others. In his text, Peter Schjeldahl explores the artist’s poetry, discussing Deacon's concern for the subtleties of language.
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  • Dan Graham: For Publication

    Dan Graham

    For Publication

    The second edition of a catalog originally published by the Otis Art Institute of Los Angeles County in 1975, For Publication reproduces a series of Dan Graham's projects from the 1960s that both drew from and were made to be inserted into the mass media.
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  • Dan Graham: Models to Projects 1978 to 1995

    Dan Graham

    Models to Projects 1978 to 1995

    Published for his 1996 exhibition at Marian Goodman Gallery in New York, this catalogue offers a detailed explanation of Dan Graham’s three-dimensional work.
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  • Juan Muñoz

    Juan Muñoz

    Alongside numerous plates, this catalogue focuses on one of the artist's last works, the monumental steel sculpture Derailment (2001). Also included in the catalogue, Michael Brenson’s essay discusses how Muñoz systematically favored a logic of contrast.
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  • John Baldessari: Tetrad Series

    John Baldessari

    Tetrad Series

    John Baldessari presented the Tetrad Series for his first exhibition with Marian Goodman Gallery in the Spring of 1999.
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  • Dan Graham: Films

    Dan Graham

    Films

    This second edition focuses on eight early film and slide pieces by Dan Graham. The book includes text in both English and French and was originally published by the Éditions Centre d'art contemporain and Écart Publications, Genéve in 1977.
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  • Francesca Woodman: Photographs 1975-1980

    Francesca Woodman

    Photographs 1975-1980

    Published on the occasion of the inaugural exhibition of Woodman's work at Marian Goodman Gallery. The book includes a text by Benjamin H. D. Buchloh and a foreword by writer and friend of the artist, Betsy Berne.
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  • John Baldessari: Noses & Ears, Etc. (Part Two)

    John Baldessari

    Noses & Ears, Etc. (Part Two)

    Simultaneously both photography and painting, John Baldessari’s Noses & Ears, Etc. (Part Two) series continues his exploration into the balance between these two medias.
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  • 30/40: A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery

    30/40

    A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery

    Published on the occasion of the gallery's 30th anniversary. This major catalogue includes an interview between Lynne Cooke and Marian Goodman, as well as one between Jean-François Chevrier and Marian, an essay by Benjamin H.D. Buchloh and a chronology of 30 years of exhibitions at Marian Goodman Gallery.
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  • John Baldessari: Arms & Legs (Specif. Elbows & Knees), Etc.

    John Baldessari

    Arms & Legs (Specif. Elbows & Knees), Etc.

    In his essay for this catalogue, Régis Durand explores the synesthetic dimension of Baldessari's fragmented inventory of body parts on bright-colored backgrounds, echoing Bach's fugues and preludes.
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  • John Baldessari: Raised Eyebrows/Furrowed Foreheads

    John Baldessari

    Raised Eyebrows/Furrowed Foreheads

    In this body of work Baldessari uses acrylic paint to isolate, enhance and rework facial features taken from fragmented photos, exploring the relationship between the two mediums.
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  • Marcel Broodthaers: Section Cinema (Part II)

    Marcel Broodthaers

    Section Cinema (Part II)

    Section Cinéma, 1972, comprised the seventh section of Broodthaers' celebrated museum, Musée d'Art Moderne, Département des Aigles, a major achievement of his life's work, founded in 1968 with the Section XIXème siècle in Brussels and other sections realized in Brussels, Antwerp, Zeeland, Le Coq, Düsseldorf and Kassel during a four year period from 1968 to 1972.
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  • Thomas Struth

    Thomas Struth

    Published on the occasion of Struth's exhibition at Marian Goodman Gallery in 2010, in which Struth turned his focus to technological apparatuses around the world.
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  • Gabriel Orozco: Corplegados and Particles

    Gabriel Orozco

    Corplegados and Particles

    This book was published on the occasion of an exhibition by the same name held at Marian Goodman Gallery, New York in 2011. For this exhibition Orozco presented two new major bodies of work, first the Corplegados, a series of large format drawings realized over the course of a number of years.
    Regular price $60.00
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  • Gerhard Richter: Painting 2010-2011

    Gerhard Richter

    Painting 2010-2011

    Published on the occasion of the exhibition that took place at Galerie Marian Goodman in Paris, this catalogue includes two abstract series by Gerhard Richter.
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  • Gerhard Richter: Strip Paintings
    Gerhard Richter: Strip Paintings

    Gerhard Richter

    Strip Paintings

    Published on the occasion of the exhibition that took place at Marian Goodman Gallery in New York in 2012, this catalogue includes two essays by art critic Benjamin Buchloch—Gerhard Richter: Glass Insurrection and The Chance Ornament: Painting Progress Painting Loss.
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  • Sabine Moritz: Limbo 2013

    Sabine Moritz

    Limbo 2013

    With Limbo, Sabine Moritz offers a very personal vision of the representation of war. Focusing on recent events like the Iraq war, and their emblematic weapons such as the helicopter, she explores the technological and ideological subtleties “new wars” have brought.
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    Francesca Woodman: I'm trying my hand at fashion photography

    Francesca Woodman

    I'm trying my hand at fashion photography

    Published on the occasion of the exhibition Francesca Woodman: I'm trying my hand at fashion photography at Marian Goodman Gallery, New York February 12 - March 13, 2015.
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  • Juan Muñoz

    Juan Muñoz

    Juan Muñoz’s (1953-2001) influence on contemporary sculpture has been immense. The 2015 exhibition at Marian Goodman Gallery pays tribute to an artist who shed new light on the way to make, think and exhibit sculptures.
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  • John Baldessari: 1+1=1

    John Baldessari

    1+1=1

    The Russian-English catalogue presents the results of John Baldessari’s project, which took two years and whose purpose was to slow down the interaction between art and the spectator.
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  • Tony Cragg: Signs Of Life

    Tony Cragg

    Signs Of Life

    This present scholarly survey of Cragg's work distinguishes systematic and chronological aspects, reflects on ways of working and material resources, and makes apparent associations, interconnections, and evolutionary strands.
    Regular price $95.00
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  • William Kentridge: Footnotes For The Panther

    William Kentridge

    Footnotes For The Panther

    In June of 2010, William Kentridge asked Denis Hirson to join him in a public conversation at the opening of Cinq Thèmes, the artist’s retrospective exhibition at the Jeu du Paume in Paris. Nine engagements followed, allowing them to explore at great length the many issues and themes arising from Kentridge’s work.
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  • Luciano Fabro: 100 disegni

    Luciano Fabro

    100 disegni

    Luciano Fabro didn’t sell his drawings but gave them away, so that the examples shown in this book have been closed to the public till now. Those from the estate of Johannes Gachnang, a close friend of Fabro’s, as well as the drawings derived from the artist’s family holdings show an astonishing complexity in which the thoughtful, but also poetic and humorous nature of Fabro finds expression.
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    Nan Goldin: The Other Side

    Nan Goldin

    The Other Side

    This is an expanded and updated version of Nan Goldin’s seminal book The Other Side, originally published in 1993.
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  • Giulio Paolini

    Giulio Paolini

    The volume documents two major exhibitions dedicated to Giulio Paolini held between 2013 and 2014 at the MACRO museum in Rome and at the Whitechapel Gallery in London.
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  • Gabriel Orozco: Fleurs fantômes

    Gabriel Orozco

    Fleurs fantômes

    Catalogue on Orozco's eponymous in-situ work at Château de Chaumont-sur-Loire: inspired by the princely apartments's old tapestries, the installation looks back at the castle's history and draws on a reflection on memory.
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  • Juan Muñoz: Double Bind & Around

    Juan Muñoz

    Double Bind & Around

    This catalogue documents the exhibition Juan Muñoz. Double Bind & Around held at HangarBicocca (April 9 to August 23 2015).
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  • Giuseppe Penone: Spazio di Luce

    Giuseppe Penone

    Spazio di Luce

    This publication has been created in close collaboration with the artist and gives a unique insight into the universe of ideas that underpins his works. It brings together previously unpublished drawings, photographs of historic actions and recent sculptures, and a selection of the artist’s own writings.
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  • Eija-Liisa Ahtila: The Annunciation

    Eija-Liisa Ahtila

    The Annunciation

    This volume records her three-channel installation and film The Annunciation, reproducing its script and 100 stills from the work.
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  • Gerhard Richter: New Paintings

    Gerhard Richter

    New Paintings

    Gerhard Richter: New Paintings is published to accompany an exhibition of the paintings at a particularly meaningful venue - the Museum Ludwig in Cologne, the city where Richter lives and works.
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  • Gerhard Richter: About Painting

    Gerhard Richter

    About Painting

    Richter's door, curtain and window pictures of the 1960s form the central focus of this volume. They stage a playful examination of the illusory nature of art, which always questions what painting shows or conceals. This lavishly appointed volume encounters central works from the artist’s last 15 years.
    Regular price $36.00
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  • Niele Toroni

    Niele Toroni

    Blurring the lines between artist’s book and monograph, this volume is the only one in English on Niele Toroni and the most comprehensive in print, relentlessly documenting nearly five decades of his exhibitions.
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  • Thomas Struth: Nature & Politics

    Thomas Struth

    Nature & Politics

    Nature & Politics explores in depth diverse strands of Struth’s enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist’s work.
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  • Gerhard Richter's Birkenau-paintings

    Gerhard Richter's Birkenau-paintings

    In this book’s extensive essay entitled, Amnesia and Anamnesis, eminent art historian Benjamin H. D. Buchloh explores both the historical and the modern art contexts which inform Richter’s Birkenau series of paintings.
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  • John Baldessari: Somewhere Between Almost Right and Not Quite (With Orange)

    John Baldessari

    Somewhere Between Almost Right and Not Quite (With Orange)

    This publication looks at new works Baldessari created on commission for the Deutsche Guggenheim. With contributions by Tracey Bashkoff, Russell Ferguson, John G. Hanhardt, and Frederic Tuten.
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  • William Kentridge: How to Become

    William Kentridge

    How to Become

    This original edition is comprised of 450 numbered copies. The English language edition is comprised of 150 numbered copies.
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  • William Kentridge: Flute

    William Kentridge

    Flute

    William Kentridge: Flute is a dense collection of essays, photographs and images tracking the internationally famous South African artist's explorations into and production of Mozart's The Magic Flute.
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  • William Kentridge, Vivienne Koorland: Conversations in Letters and Lines

    William Kentridge, Vivienne Koorland

    Conversations in Letters and Lines

    William Kentridge and Vivienne Koorland are two of South Africa's foremost visual artists. They met as university students in the mid 1970's and have been talking and thinking together about art ever since. With a selection of work chosen to bring out the historical, formal and thematic links between their practices, this publication looks at their mutual interests in maps and mapping, in drawing, in books and the bookish, in writing and language and at how these interests come to the fore in their rich and compelling work.
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    William Kentridge: In Praise of Shadows

    William Kentridge

    In Praise of Shadows

    This far-reaching book presents Kentridge’s dynamic art practice which originates in charcoal drawing and expands into intersections with film, sculpture, opera and theater performances, printmaking, and many other mediums.
    Regular price $65.00
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