Strachan’s work summons historical and cultural references, creating essential contextual collisions and connections to his celebrated, ongoing research project,The Encyclopedia of Invisibility. A special, smaller format of the Encyclopedia in book form is now available as an edition of 250. The project brings to light to a number of ‘invisible histories’ that have largely fallen by the historical wayside.

The exhibition In Plain Sight combined painting, sculpture, installation, music, and performance within an immersive, site-specific experience. The experience and the works on view prompted visitors to reconsider the Western canon, learn the value of forgotten histories, and invite new voices to participate.

Bahamian-born artist Tavares Strachan’s (born 1979) In Total Darkness engages with French colonialism through an investigation of the Haitian Revolution, the first victorious revolt of Black enslaved people. In doing so, Strachan questions our presumed and popular knowledge of history.

The Awakening exhibition, was inspired by the life and work of activist Marcus Garvey. Almost a century later, Strachan acknowledges Garvey's profound influence on history, as well as his personal importance to the Bahamian born artist. Drawing on influences that span from music to sports, culture and science, Strachan applies a dub aesthetic within his practice to create works that invert the trans-Atlantic story.

Published on the occasion of Struth's exhibition at Marian Goodman Gallery in 2010, in which Struth turned his focus to technological apparatuses around the world.

Nature & Politics explores in depth diverse strands of Struth’s enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist’s work.

This 1990 exhibition at Marian Goodman Gallery, New York marked Thomas Struth's entrée into group portraiture.

This present scholarly survey of Cragg's work distinguishes systematic and chronological aspects, reflects on ways of working and material resources, and makes apparent associations, interconnections, and evolutionary strands.

Limited Edition Baggu Bag

William Kentridge and Vivienne Koorland are two of South Africa's foremost visual artists. They met as university students in the mid 1970's and have been talking and thinking together about art ever since. With a selection of work chosen to bring out the historical, formal and thematic links between their practices, this publication looks at their mutual interests in maps and mapping, in drawing, in books and the bookish, in writing and language and at how these interests come to the fore in their rich and compelling work.

William Kentridge: Flute is a dense collection of essays, photographs and images tracking the internationally famous South African artist's explorations into and production of Mozart's The Magic Flute.

In June of 2010, William Kentridge asked Denis Hirson to join him in a public conversation at the opening of Cinq Thèmes, the artist’s retrospective exhibition at the Jeu du Paume in Paris. Nine engagements followed, allowing them to explore at great length the many issues and themes arising from Kentridge’s work.

This original edition is comprised of 450 numbered copies. The English language edition is comprised of 150 numbered copies.

This far-reaching book presents Kentridge’s dynamic art practice which originates in charcoal drawing and expands into intersections with film, sculpture, opera and theater performances, printmaking, and many other mediums.

For five days, Kentridge sat with Rosalind C. Morris to talk about his work. The result—That Which Is Not Drawn—is a wide-ranging conversation and deep investigation into the artist’s techniques and into the psychic and philosophical underpinnings of his body of work.

Curated by the artist, this exhibition encourages viewers to trace visual and thematic links between diverse aspects of his practice, from his engagement with opera to his interest in early cinema, from his inimitable animated drawings to sculpture and works on paper.